By Carla Ambrósio Garcia
In Bion in movie thought and research: The Retreat in Film, Carla Ambrósio Garcia introduces the wealthy power of the deliberating British psychoanalyst Wilfred Bion for movie thought. via so doing, she rethinks the distance of the cinema as an area of retreat, and brings new insights into the illustration of retreat in film.
Presented in components, the booklet seeks to deepen our figuring out of the movie event and psychical progress. half I areas Bion’s view at the value of the epistemophilic intuition on the middle of a critique of the pleasure-centred theories of the cinematic equipment of Jean-Louis Baudry, Christian Metz and Gaylyn Studlar, providing an idea of cinema as ‘thoughts looking for a thinker’. Garcia then strikes from Bion’s epistemological interval to his later paintings, which attracts on mysticism, to be able to posit an emotional adventure within the cinema by which the topic may be or develop into actual (or at one with ‘O’). half II examines representations of retreat in 4 eu motion pictures, directed by means of Ingmar Bergman, Pier Paolo Pasolini, Georges Perec and Bernard Queysanne, and Manoel de Oliveira, displaying them to articulate a gesture of retreat as an emotionally turbulent transitional level within the improvement of the psyche – what Bion conceptualizes as caesura.
Through its research of the retreat in cinema, the booklet demanding situations universal understandings of retreat as a regressive stream by means of providing it as a gesture and area which may even be future-oriented. Bion in movie concept and research will be of important curiosity to teachers and scholars of psychoanalysis, psychotherapy, and movie and media experiences, in addition to psychoanalysts and psychotherapists.
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Bion in Film Theory and Analysis: The Retreat in Film by Carla Ambrósio Garcia